Exorcising Haunted Monuments

This is a condensed version of a longer essay I wrote in my 3rd year of University surrounding the implications of Colonial narratives on our perception of the documented world. The essay has been reformatted to coincide with current day discussion on the presence of racist and colonial monuments.

Colonial monuments across the world cast insidious shadows of histories past across town squares and city streets that have since become melting pots of cultures and ideas. As of late these monuments, standing proud in the peripherals of public consciousness as they enjoy their lunch break in the town square, have become subject to vandalism, removal and a wider discussion. How do we address complacency, education, and the dismantling of a white washed historical narrative that has permeated our collective memory and caused systemic oppression to Black people around the globe?

The narrative on colonialism we are taught throughout school, in media and our wider environment is designed. It is designed as much as any other governmental institution (ie. prisons, universities, museums, archives, etc.) that exerts a state of control. This narrative can be seen to stem from around the time of the expansion of the British empire and colonial rule, the Enlightenment Era. Wealthy white businessmen and philanthropists collected various ‘exotic’ pillaged treasures from the ‘new world’ and displayed them in curiosity cabinets; curated, designed and fetishised to impress other wealthy white men and applaud the cultural progression of the Western world at the expense and exploitation of ‘othered’ civilisations and cultures. 

With this in mind, we can argue that the legacy of these monuments were built to maintain and perpetuate the idea of revolutionary legacy and cultural progression, an ideal many anti-protest groups have rallied under to protect the integrity of these monuments. But what they tend to forget is the insidious underbelly from where this progression originated. This kind of white anxiety arises from a fear of being forgotten or losing a sense of security and safety within a society that was built for and around us (white people). We saw similar and violent anxieties arising during the migrant crisis (2014) where a sharp increase in racial hate crime was reported throughout the UK and Europe – no thanks to some media coverage.

We cannot forget the ‘alternate’ history that this progress was carried on the back of Black labour and exploitation. To disregard this narrative and relegate it as a past ‘mistake’, we absolve all individual and state responsibility, and ultimately erase the credibility and collective experience of Black people. The irony of the matter is the fear of ‘forgetting’ history through monument removal is exactly what is happening on a wider, more harmful scale.

A colonial spectre haunts the UK unable to find a final resting place in the dusty archives of our society. The state and the archive live in paradox, the state attempts to repress and control these archived narratives while the archival evidence of colonial structures ultimately lead to the unraveling of state control when they are not ‘exorcised’. We can see then remnants of colonial heritage appearing time and time again, manifesting through our collective conscious until adequate education and discussion is undertaken from every voice. We must address the web of racist structures and reflect on our own complicit value structures that we have been taught and continue to perpetuate.

Published by Emma Harvey

I am a Jr Graphic Designer and aspiring design research writer. I enjoy learning about systems and structures of communication and how this can be subverted for the betterment of our world. I also like dogs. Like, a lot...

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